Importance of Note-Level: A Cross-cultural Comparison Study of the Control in Automatic Music Performance
<Roberto Bresin>
| (the first rencon as a workshop of ICAD2002) [English only] |
ICAD2002 Rencon Workshop Report |
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Invited Talk Importance of Note-Level: A Cross-cultural Comparison Study of the Control in Automatic Music Performance <Roberto Bresin> |
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| Production in Simple Rhythm Patterns | Performance Variables for Grouping Structure in two editions of the theme of K. 331 | Case Studies of Manual Rendering of Performance on a Musical Notation System |
| <Makiko Sadakata> | <Yoshihiro Takeuchi> | <Mitsuyo Hashida> |
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| A Music Interpretation System - Schema Acquisition and Performance Rule Extraction | Playing Mozart by Analogy: Learning Phrase-level Timing and Dynamics Strategies |
| <Haruhiro Katayose> | <Asmir Tobudic> |
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| Coloring-in Piano: Indiscrete Musical Elements are Essential for Performers | Kagurame Phase-I - Musical Expression Generation System with Case-based Method | Ha-Hi-Hun: Performance Rendering System of High Controllability | Rencon: toward a common basis for performance rendering Contest |
| <Chika Oshima> | <Taizan Suzuki> | <Keiji Hirata> | <Rumi Hiraga> |
A grand piano for automatic performance plays system rendered piano pieces by some participants of Rencon workshop.
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