The IJCAI-03 Workshop on methods for automatic music performance and  their applications in a public rendering contest - Rencon: Performance Rendering Contest for Piano - [ Japanese | English ]

日時 場所 イベント 2003年8月11日(月) アカプルコ (メキシコ) IJCAI 終了しました．ご参加ありがとうございました． [ Working Notes ダウンロード ] (，PDF形式，) ] 開催風景

聴き比べ結果

• 規定部門（Best Performance Award）
  • 田口友康（MUSE），ショパン作曲ワルツNo.6
  • C. Raphael，ショパン作曲プレリュードNo.15「雨だれ」
• オープン部門（Open Performance Award）
  • 田口友康（MUSE），モーツァルト作曲ピアノソナタNo.17

プログラム

• 9:30--10:30 Invited Talk
  1. Peter Desain: Single trial ERP allows Detection Perceived and Imagined Rhythm
• 10:40--11:50 Rendering System
  2. Rumi Hiraga, Roberto Bresin, Keiji Hirata, and Haruhiro Katayose: Rencon in 2002
  3. Chris Raphael Orchestra in a Box: A System for Real-Time Musical Accompaniment
  4. Haruhiro Katayose and Keita Okudaira: sfp/punin: A Performance Rendering Interface using Expression Model
• 11:50--13:10 Lunch Break
• 13:10--14:25 Architecture for Performance Rendering
  5. Taizan Suzuki: The Second Phase Development of Case Based Performance Rendering System "Kagurame"
  6. Mitsuyo Hashida and Haruhiro Katayose: A Study of Performance Rendering using Slurring
  7. Maarten Grachten, Josep Lluis Arcos, and Ramon Lopez de Mantaras: Tempo-Express: tempo transformations preserving musical expression
• 14:35--15:30 Listening Comparison
  • Mitsuyo Hashida and Haruhiro katayose: Chopin's Etude Op. 10-3 "Chanson de l'adieu" for Rule-based Rendering System with Slurring Model
  • Keiji Hirata and Rumi Hiraga: Ha-Hi-Hun plays Chopin's Etude
  • Haruhiro Katayose, Mitsuyo Hashida, Kenzi Noike, and Keita Okudaira: Rendering Chopin's "Walzer Op. 64-2" and "When You Wish Upon A Star" with an Interactive Performance Rendering Interface: sfp
  • Chika Oshima and Kazushi Nishimoto: An Attempt of Performance Rendering Based on Correlation Between Duration of notes and key-release-velocity
  • Taizan Suzuki: Kagurame Phase-II
  • Tomoyasu Taguti: Rendering Chopin's Waltz No. 6 and Mozart's Piano Sonata No. 17 (1st Movement) with system MUSE; A technical note
  • Asmir Tobudic and Gerhard Widmer: Technical Notes for Musical Contest Category
• 15:40--17:15 Analysis and Perception
  8. Asmir Tobudic and Gerhard Widmer: Learning to Play Mozart: Recent Improvements
  9. Kazushi Nishimoto and Chika Oshima: Basic Analyses on Effects of Key-release Velocity in a Piano Performance
  10. Ali Taylan Cemgil: Probabilistic Methods for Tempo and Polyphonic Pitch Tracking
  11. Keiji Hirata, Kenzi Noike, and Haruhiro Katayose: A Proposal for a Performance Data Format
• 17:25--17:30 Commendation Ceremony
• 17:30-- General Discussion

---- Each speaker is given 25 min. (15 min. for presentation and 10 min. for Q&A) except for (1), (2), and (11). The papers of these three presentations are unreviewed.

〆切＆重要日程:

ワークショップ参加案内（英語）

論文募集案内

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実行委員，プログラム委員:

• 平田圭二 (Chair)（NTTコミュニケーション科学基礎研究所）
  3-1, Morinosato Wakamiya, Atsugi-shi, Kanagawa 243-0198, Japan
  hirata@brl.ntt.co.jp
  http://www.brl.ntt.co.jp/people/hirata/ 
• Roberto Bresin
  The Music Group at the Department of Speech, Music and Hearing, KTH
  Drottning Kristinas v. 31 SE-100 44 Stockholm, Sweden
  roberto@speech.kth.se
  http://www.speech.kth.se/~roberto/
• 平賀瑠美（文教大学）
  Namegaya 1100, Chigasaki-shi, Kanagawa 253-8550, Japan
  rhiraga@shonan.bunkyo.ac.jp
  http://www.bunkyo.ac.jp/~rhiraga/
• 片寄晴弘（関西学院大学，科学技術振興事業団さきがけ研究２１）
  2-1, Gakuen, Sanda-shi, Hyogo 669-1337, Japan
  katayose@ksc.kwansei.ac.jp
  http://ist.ksc.kwansei.ac.jp/~katayose/
• Ramon Lopez de Mantaras
  Spanish Council for Scientific Research
  Artificial Intelligence Research Institute
  Campus UAB, 08193 Bellaterra, Spain
  mantaras@iiia.csic.es
  http://www.iiia.csic.es/~mantaras/
• Gerhard Widmer
  Austrian Research Institute for Artificial Intelligence
  Schottengasse 3, A-1010 Vienna, Austria
  gerhard@ai.univie.ac.at
  http://www.ai.univie.ac.at/~gerhard/