The IJCAI-03 Workshop on methods for automatic music performance and  their applications in a public rendering contest - Rencon: Performance Rendering Contest for Piano - [ Japanese | English ]

Date 　 Place 　 Events 　 Aug 11, 2003 Acapulco, MEXICO IJCAI Thank you for your participation!!  You can download... [ Working Notes ] (PDF, )

Program

• 9:30--10:30 Invited Talk
  1. Peter Desain: Single trial ERP allows Detection Perceived and Imagined Rhythm
• 10:40--11:50 Rendering System
  2. Rumi Hiraga, Roberto Bresin, Keiji Hirata, and Haruhiro Katayose: Rencon in 2002
  3. Chris Raphael Orchestra in a Box: A System for Real-Time Musical Accompaniment
  4. Haruhiro Katayose and Keita Okudaira: sfp/punin: A Performance Rendering Interface using Expression Model
• 11:50--13:10 Lunch Break
• 13:10--14:25 Architecture for Performance Rendering
  5. Taizan Suzuki: The Second Phase Development of Case Based Performance Rendering System "Kagurame"
  6. Mitsuyo Hashida and Haruhiro Katayose: A Study of Performance Rendering using Slurring
  7. Maarten Grachten, Josep Lluis Arcos, and Ramon Lopez de Mantaras: Tempo-Express: tempo transformations preserving musical expression
• 14:35--15:30 Listening Comparison
  • Mitsuyo Hashida and Haruhiro katayose: Chopin's Etude Op. 10-3 "Chanson de l'adieu" for Rule-based Rendering System with Slurring Model
  • Keiji Hirata and Rumi Hiraga: Ha-Hi-Hun plays Chopin's Etude
  • Haruhiro Katayose, Mitsuyo Hashida, Kenzi Noike, and Keita Okudaira: Rendering Chopin's "Walzer Op. 64-2" and "When You Wish Upon A Star" with an Interactive Performance Rendering Interface: sfp
  • Chika Oshima and Kazushi Nishimoto: An Attempt of Performance Rendering Based on Correlation Between Duration of notes and key-release-velocity
  • Taizan Suzuki: Kagurame Phase-II
  • Tomoyasu Taguti: Rendering Chopin's Waltz No. 6 and Mozart's Piano Sonata No. 17 (1st Movement) with system MUSE; A technical note
  • Asmir Tobudic and Gerhard Widmer: Technical Notes for Musical Contest Category
• 15:40--17:15 Analysis and Perception
  8. Asmir Tobudic and Gerhard Widmer: Learning to Play Mozart: Recent Improvements
  9. Kazushi Nishimoto and Chika Oshima: Basic Analyses on Effects of Key-release Velocity in a Piano Performance
  10. Ali Taylan Cemgil: Probabilistic Methods for Tempo and Polyphonic Pitch Tracking
  11. Keiji Hirata, Kenzi Noike, and Haruhiro Katayose: A Proposal for a Performance Data Format
• 17:25--17:30 Commendation Ceremony
• 17:30-- General Discussion

---- Each speaker is given 25 min. (15 min. for presentation and 10 min. for Q&A) except for (1), (2), and (11). The papers of these three presentations are unreviewed.

Important Dates and Deadlines

Call for Participation

Call for Submissions

• for text
• for PDF
• in Japanese

the Workshop Organizing Committee:

• Keiji Hirata (chair, NTT Communication Science Laboratories)
• Roberto Bresin (KTH)
• Rumi Hiraga (Bunkyo University)
• Haruhiro Katayose (Kwansei Gakuin University/PRESTO, JST)
• Ramon Lopez de Mantaras (Spanish Council for Scientific Research)
• Gerhard Widmer (Austrian Research Institute for Artificial Intelligence)